Barry from Sauquoit, NyAs stated above this was the last song Jimi played live in concert it was at the opened aired 'Love and Peace Festival' at the Flugger Strand in Puttgarden, Fehmarn, Germany.

Thanks Will for getting it mostly right!īTW, the Hawaiian islands are the tops of mountains that rise 30,000 from the ocean floor, tallest ones on earth. I created Hawaii from the top of a mountain 'I chopped it down with the edge of my hand)' and very clear 'I pick up the pieces and make aniseed, might even raise a little sand'. Straight Up Bion (believe It Or Not) from Seattle Aka ElectricladylandWill from Portland has it mostly right. Anthony from Guadalupe, AzUsed by the wrestler 'Hollywood' Hulk Hogan when he was in WCW in the mid 90's.Y'all should be talking about how this song changed rock in roll and amazing the man was. David from ArkansasThere's a million people arguing over the word 'chile' and 'child'.from Out Of This World.'I'll meet you in the next world and don't be late!' Dan Gillespy from Courtenay BcI love this all time classic.A traditional hymn and the only track Daigle didn’t co-write, the song pairs a potent message with contemporary production, building a musical bridge in the way only Daigle can. “Turn Your Eyes Upon Jesus” is the kind of outlier that oddly makes an album feel more cohesive. Highlights include “Rescue,” in which Daigle envisions the presence of God in her darkest moments, and “Losing My Religion,” a clever track about finding real faith by letting go of rules and structure. Look Up Child was a critical and commercial success for Daigle, who won another Grammy at that 2019 ceremony, for Best Contemporary Christian Music Album. Technically her third studio album (her second is the 2016 Christmas record Behold), Look Up Child introduced Daigle to a much broader audience, thanks to the strength of singles like “You Say,” which cracked the mainstream Top 40 chart and won Best Contemporary Christian Music Performance/Song at the 2019 Grammys, and the record’s title track. These qualities have allowed Daigle to straddle the line between contemporary Christian music and regular old pop, a rare feat for a solo artist now but which recalls earlier genre stars like Amy Grant or more rock-adjacent acts like Relient K and Switchfoot.

Her interpretation of faith feels grounded and open, with a focus on love and hopefulness rather than dogma exclusivity. She’s a powerhouse singer, soulful and agile and with a keen ear for dynamics she knows which moments call for quiet softness and which demand a full-on belt. The rest of the record unfolds in similar, if increasingly grander, fashion-an unusually singular LP in a genre that can occasionally fall prey to risk-averse homogeneity.Īnd that’s what makes Daigle one of contemporary Christian music’s most potent and interesting artists. It’s the kind of song that’s become synonymous with Daigle: hopeful in its message, unflinching in its faith, and modern in its thinking, with infectious production and an earworm of a melody, to boot. “Still Rolling Stones,” a soulful midtempo number with shades of Adele, envisions Jesus emerging from the tomb after his crucifixion, then seamlessly connects the dots between his miraculous resurrection and her own living, growing faith. Lauren Daigle opens Look Up Child with a powerful image.

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